Live Review:
Twin Forks - Moscot, NYC - May 5, 2014
By Deborah J. Draisin
The Twin Forks performance was one of two shows that I
caught on an impromptu double header of coverage that I
picked up last Thursday (because I’m obviously a masochist,)
and it was one of the best decisions that I ever made. Not
only is frontman Chris Carrabba (also of Dashboard Confessional
and Further Seems Forever) one of the sweetest conversationalists
ever (interview to follow shortly,) but the dynamic four-piece
is so mesmerizing that passersby were stopping at the picture
windows behind the stage setup to observe the show with
us.
Moscot is a bit of a weird deal: you’re not entirely
sure that you’re at the right place when you arrive,
because all you see is a counter full of eyeglasses. Apparently,
some NYC Bohemian decided that hosting bands at an eyewear
retailer would be badass. It kinda was though, if you could
get around the awkward digs (i.e. the labyrinth-like hallways
leading to the conference room serving as the backstage
area, or the inconveniently positioned bathroom catty-corner
to the makeshift bar at the end of the counter, with a door
that opens directly onto other people standing around, or
the bottleneck entranceway to the play area.)
The band’s enthusiasm was matched only by its audience.
Hoots, hollers, sing-alongs (whether you knew the words
going in or not,) and band-audience banter abounded and
it was just fucking fun. The songs are ridiculously toe-tapping
and the band is just so damn likeable. No one wanted the
band to leave, and, in fact, they were cool enough to set
up a table just to greet everyone and hand them a free EP.
Even if you missed out on the band’s three-show run
in the city this past week, do yourself a favor and pick
up a copy of their self-titled EP; it’ll make you
happy during your miserable commute.
Also, stay tuned for upcoming jams, as Chris has already
got several songs in mind for their next EP.
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