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CD Reviews

WARPED TOUR BANDS: CD REVIEWS & WRAP UP

 

We The Kings (S-Curve Records)

If the Warped Tour were a senor prom, you could bet your over-priced corsage that We The Kings - the pop punk pride of Bradenton, Florida - would likely, and literally, BE the kings.

On the Camden, NJ leg of the Tour, we saw the band perform around 6pm, on the Second Stage, with about a 50' high, by 100' long hill as a backdrop. First time I've seen a mosh pit on the side of a hill! The hill was full of fans, and there was hardly a patch of green to be seen. There were just as many crazed fans moshing in front of the stage. The Kings played most of their new self-titled album in their allotted 30-minute set. My daughter Melissa had recommended the band as a "must see," and they really held their ground. Pop punk to the max!

The melodies on their album are burned into the loud, powerful harmonies, as the electric guitars break through the strong rhythm section. We The Kings turn out some impressive, jangly pop punk on tunes like "Secret Valentine," "Stay Young," or "This is Our Town," with the precision and looseness found in seasoned bands. A grade-A album from a young band who, just a few years ago, successfully crashed the Warped Tour. According to Travis Clark (vocals/guitar, the rest of the band includes Hunter Thomsen, guitar/vocals, Drew Thomsen/ bass, and Danny Duncan/drums), they made fake tour passes (kids don't try his at home), to see Fall Out Boy when they played the Texas leg of the Tour. Getting all the way through to the band, they gave their CD to Pete Wentz, and were invited to see the band's set. With that kind of inspiration and moxie, the band has created a full-blown rocker of an album!

On their first release, We The Kings commercial moment has come. Let's hope they don't rest on their laurels for the next album. They have a lot to offer!

- Phil Rainone


Oreskaband (www.oreskaband.com)

Yikes! The opening cut, "Pantime" on the self-titled album from Oreskaband (all one word) is a one minute and two second skalicious blast that sounds like these Japanese gals (six of ‘em, all dressed in school girl attire with white shirts, black ties, and black pants) took a page out of the Catch 22 song book. The horn-fronted, party-all-the-time tune sounds like it came from for Catch's fiery "Point the Blame" album!

In fact, when we spoke with two of the members of the band at their merch tent at the Warped Tour ( Frank did a live set review), and when we brought up Catch 22 as our hometown favorites, they squealed with enthusiasm at the very mention of the band's name! This album is super charged ska, sung at times in both English and Japanese. I don't know the translation, but when Oreskaband hits those guitar-fueled notes, with a rock steady rhythm section holding down the bottom end and those infectious incendiary horns, it needs no translation. You're out on the dance floor skankin' to some of the best stage quakin', mosh pit makin' music around!!

The blistering remake of Toots and the Maytals' "Monkey Man" is groovylicious to the max! Although already redone by those skanktakerious revelers of all things ska, Reel Big Fish, Oreskaband's version puts them in major-league status! Again, like most of their songs, it's sung in half English, half Japanese, but after hearing their version, you'll want to rush out and take a quick study course in Japanese.

Oreskaband's influences and musical desires stretch over an enormously expansive musical landscape with ease. Whichever way the band turns, this record bears their unique stamp - from the Shonen Knife-like cut "U," to the closing number "Chuck," you need all the tunes here to say their piece. Coherent and somewhat conceptual, the tracks share a maturity of vision and a consistency of character. Collectively, Oreskaband is proof positive that they are not limited by anyone's expectations. They have the exuberance of a young band that is glad to be performing. There's no self-restraint whatsoever, and that's a good thing! It shows in their stage presence and in the short but interesting conversation we had with them. I gave them a contact for Asbury Lanes to hopefully play a date there. Hey, how about they get Oreskaband (Japan) and Brain Failure (China)? Now that would be a great start for a fun, interesting Musical Olympics!

So, to come full circle starting out with our post-Warped Tour story about getting "Disengaged," I would say... YEAH! HELL YEAH! After a few interviews and seeing some really fun, over the top sets by both known (Reel Big Fish, Bouncing Souls) and up and coming bands (Oreskaband, Family Force 5), along with a few cold frosty brewed beverages, we reconnected with the music, the mayhem, and each other. We took the road less traveled (hey, does getting lost in Camden for an hour trying to find a free spot to park count?), and put a few new colors in our collective paint boxes (green, blue and red, respectively.) It's like it's been said before by the Boss, it's always more fun when the kids are around, and that includes all of us kids - the bands, the fans, and the reporters - we all had our mojo working. A full day of "Peace, Love, & Bar-B-Que," as the song goes, with a good vibrations all around that will last a lifetime!

- Phil Rainone

 


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