Story and photos by Paul Silver
When last I wrote about Awesomefest, it was the 5th edition,
last year. And ever since, I’ve been looking forward
to this weekend. It’s become something that a lot
of people look forward to and consider the highlight of
the year. Why? It’s an opportunity to hang out with
friends from all around the country, and even all around
the world, as was the case this year. It’s an opportunity
for non-SoCal residents to feast on some of the best burritos
in existence. It’s an opportunity to drink lots of
beer. And, oh yes, it’s an opportunity to see some
of the best bands playing punk music today.
When I first went to Awesomefest 4, two years ago, at the
suggestion of our fearless editor, I didn’t know a
soul there, save for said Jersey Beat boss. But he knew
a lot of people there, some in bands, some who run record
labels, and he introduced me to several. Last year, I was
on my own, as Jim couldn’t make it out to the left
coast. I remembered some of the people I had met, and some
remembered me. I met some new people and had a good time.
And I stayed in touch with some of these people through
the power of social media on the Internet. And my circle
of friends grew and grew, especially as I expanded the scope
of my show attendance in SoCal, even venturing as far as
Riverside and Hemet for shows (if you know the geography,
you’ll know those are not the most fun places, though
Riverside does have a thriving scene).
This year, again, sans editor-in-chief, I found I knew
a shitload of people (damn, I’ve used that word a
lot over the weekend!), and I finally got the full Awesomefest
experience. It’s not so much a music festival as it
is a massive family reunion. And not only did I get to see
my friends and family who I hadn’t seen all year,
and not only did I get to meet others in the flesh for the
first time who I had been in contact with over the interwebs,
but I met a whole bunch more friends I didn’t even
know I had. It’s the magic of Awesomefest, where no
one stays a stranger for long.
OK, it’s all gooey lovey dovey stuff, right? What
is Awesomefest? It’s an annual event in San Diego’s
North Park neighborhood, over Labor Day weekend. It’s
hosted at four venues (day shows are at U-31 and the Office,
night time shows are at Soda Bar and Bar Eleven). I think
the count of bands featured this year was 69, and more local
businesses offered special deals to Awesomefest attendees.
One bone I have to pick with the organizers is the scheduling.
Last year, I was able to be nice and lazy, because most
of the bands I wanted to see were playing at one venue during
the afternoon or the night, and I didn’t have to do
much running back and forth. I guess they decided I needed
the exercise this year, though, because the schedule had
me running back and forth much of the weekend. If not for
all the beer and pizza I consumed, I might have actually
lost some weight! I might have anyway, with all the sweating
I was doing in the venues and running back and forth in
the unusual San Diego heat.
Another thing I noticed this year was how packed the venues
seemed almost all the time, especially in comparison to
the previous two years. I asked one of the organizers whether
they had significantly increased the number of passes sold,
and the answer was that it was only up by 25. So perhaps
the explanation is that more people were actually paying
attention to the music, rather than hanging out outside
the clubs. And that’s a good thing.
OK, so enough of the preliminaries. You want to know who
played and whether they were good or they sucked. You want
to know who to look out for when they come to your town
and whose records to buy. I shall oblige you.
Joyce Manor
Friday Night, August 31st
After the official pre-Awesomefest Happy Hour at the Livewire,
where co-organizer DJ Party Marty spun the punk hits, the
festivities officially kicked off. I started at Soda Bar,
where JOYCE MANOR played some great melodic punk that bordered
on emo-ish, a blend I really love. Next, it was a dash down
to Eleven to check out locals THE BERTOS. I’ve seen
them several times, and each time they’ve grown tremendously.
This set was, by far, their best I’ve seen, and I
would recommend checking them out if you get a chance. I
stuck around afterwards to check out BUMKLAATT, who play
some excellent thrash style punk, something I normally haven’t
been into since I was a lad, but this was well done. I next
had to run over to Soda Bar again to catch BIG EYES, who
played a garagey style of punk. I’m not sure if it
was the mix, but they came off a bit muddy. The studio stuff
I’ve heard from them is pretty good, though. Next
up, in the same location, was TURKISH TECHNO, hailing from
Riverside County, CA. One of the members, Casey, is trying
to be the new Mikey Erg, because he played in two bands
this weekend (the other being American Lies). Turkish Techno
are crazy. Crazy fun and crazy good, edgy pop-punk, and
they’re good people, too. But Casey has some catching
up to do, because Mikey Erg played in at least three or
four bands over the weekend, and that was a low count compared
to previous years!
Nato Coles
Back to Eleven now, for NATO COLES & THE BLUE DIAMOND
BAND. I was glad to see them back this year, because I loved
their set last year. Nato is the consummate punk showman,
and the band did not disappoint. Powerful melodic power
pop garage punk. After Nato, LENGUAS LARGAS took the stage.
They’re a band I’ve wanted to see for a while,
but missed them the past couple of years due to conflicts
with other bands I wanted to see. But this year I was determined
not to miss them, and I am glad I didn’t! They play
an intense music that’s varied, not stuck in one style.
There are elements of psychedelic music in there, plenty
of garage punk, hints of indie rock, and loads of talent.
And two drummers! Next it was back to Soda Bar for TOO MANY
DAVES. They were the first band of the weekend I caught
that played anthemic sing-along pop-punk. This is a style
that is loved by many, because it’s great for partying
with your friends, all shouting and singing along, trying
to get up on stage and sing with the band and all. It happened
many times over the weekend. And Too Many Daves does it
well. But this style tends to offer up songs that start
to sound alike after awhile. After this, SASS DRAGONS played.
And played is an apt term, because I describe what they
play as being “a child’s garden of punk rock.”
They play music that’s fast, furious, fun and simple.
Of course, the topics are anything but appropriate for children!
Cool stuff. Last band of the night, also at Soda Bar, was
the MEAN JEANS. They offered up some more powerful anthemic
punk music that was popular with the crowd. A few songs
did sound a bit repetitive, though.
Vacation Bible School
Saturday Afternoon, September 1st
My Saturday afternoon began with perennial Awesomefest
favorite VACATION BIBLE SCHOOL, at the Office. Actually,
the sets started a bit earlier, but due to personal crap,
I missed Bobby Joe Ebola and the Children MgNuggits and
The Strait A’s. That aside, VBS play some great Midwest
pop-punk. MUHAMMADALI was up next, playing muddy rock music
with an edge, albeit a slightly dull edge. A quick trot
over to U-31 was in order next to catch KYLE KINANE’s
stand-up comedy act. Saturday afternoon seems to always
throw a curve ball to the Awesomefesters. Last year it was
punk-folk band Greenland is Melting. This year it was Kinane’s
stand-up comedy act. And this year’s curve ball was
very well received by the crowd. Kinane offers up a raunchy
sort of act. Think of it as punk stand-up. It was pretty
fucking hilarious. Sticking with the line-up at U-31 this
afternoon, I was able to see NEIGHBORHOOD BRATS, a band
that plays old school punk rawk, fronted by a petite young
lady covered in tats! She was extremely animated during
the show, and the band rocked! CHINESE TELEPHONES are a
band that play year after year at Awesomefest, and I had
been told to catch them on numerous occasions, but other
bands always seemed to get in the way. Not this year, as
I stuck around to catch their great, very tight pop-punk.
Finally! The afternoon finished with THE MARKED MEN, from
Texas. I had heard the feature track posted on the Awesomefest
website and was really looking forward to this band. I think
it was a bit of a let-down seeing them live, though. The
studio track featured fast, furious buzzsaw guitars and
some great garage pop melodies. They were still good, but
mainly played tight, mid-tempo anthemic pop-punk, though
there was some faster, crunchier stuff toward the end of
their set.
BUST!
Saturday Night, September 1st
After taking advantage of a local pizza joint’s special
on slices and draft beers, I headed over to Bar Eleven for
BOMBON, an all-female band that dresses up in period 60s
dresses and plays 60s style garage-surf music. Over to Soda
Bar next, and here’s the thing. Every year there’s
one band. One band that stands out over all the others as
sort of the new discovery. A band that I’ve not heard
of before that just kills it and blows me away. At Awesomefest
4 it was Dead Mechanical. At Awesomefest 5 it was Lipstick
Homicide (who made a return appearance this year and still
ruled). And this year it was BUST! They played fast, tight,
intense punk music – dare I call it – post-hardcore.
They were incredible and I can’t recommend them enough.
After Bust! came RAD COMPANY, exhibiting a bit of a split
personality, and playing anthemic punk rock, muddy alt-rock,
and muddy fast punk. A run down the street brought me back
to Eleven to catch SUMMER VACATION. They offered up a post-emo
melodic punk blend that was really nice. OK, quickly now,
back to Soda Bar (man, am I ever getting my exercise this
weekend!) for MADISON BLOODBATH. As befits the stature of
their lead vocalist, Madison Bloodbath played pounding,
thundering, melodic anthemic punk. FRENCH EXIT were up next,
also in Soda Bar, allowing a breather from the sprints,
and a breather from anthemic sing-along punk. They gave
up a set of awesome melodic punk with hints of post-emo.
Low Culture
Another mad dash brought me back to Eleven for some of
the most awesome moments of Awesomefest 666. LOW CULTURE,
formed from the ashes of Shang-a-Lang, belted out some tight,
fast punk music with a great edge. Going way beyond pop-punk,
the set showed moments of sheer beauty, as well. Speaking
of way beyond, SHARK PANTS were next, with their angular
math-punk madness. Way cool stuff. This is another of the
bands I had been wanting to see for some time, but each
year the scheduling conflicts got in the way. I’m
glad I was able to see them this year, and you should, too,
should you get the chance. During their set, the crowd went
mad, while I was up front trying to get some good photos,
and eventually I was forced to get up on the stage and off
to the side to avoid being rolled over by the crowd! I decided
that it was safer there, and stayed for the last set at
Eleven for the night, THE BANANAS. I don’t think the
lead vocalist was too pleased that I was occupying the corner
of the stage, because he was periodically backing into me,
but I took it all in stride. The crowd loved this band,
and so did I. They were crazy fun, and it was a crazy mess,
with broken glass from a thrown glass, people falling over
and ending up sitting on the stage, almost getting smacked
in the face with the neck of a guitar – oh, and the
music was great fast punk, with periodic hints of funk-punk
thrown in. Before the night was totally over, though, I
did manage to catch the very tail end of CHEAP GIRLS down
at Soda Bar, and really enjoyed their edgy pop music with
smooth vocals that reminded me a bit of mid-period Smoking
Popes.
The Haddonfields
Sunday Afternoon September 2nd
Sunday afternoon was described to me by one attendee as
“punks vs. hippies day,” and I told him I would
steal that. It was sort of true, with the bands at U-31
being the punk bands and those at the Office being more
emo-ish oriented. I must say, I did spend the bulk of the
afternoon at U-31, but I did start out at the Office for
BONSAI. I think they were in the wrong club, because they
were more punk, playing fast, furious music with only hints
of anthemic type music. This was the second time I’ve
seen them (the first was on a bill up in Riverside), and
I think the first time was a better performance. OK, over
to U-31 for some punk! PU$$Y COW play some fun-ass punkabilly
music and also channeled the Doors on a couple of numbers.
What a blast they are! And I think I had an Elvis sighting!
Lead singer Joe Dana toyed with the crowd, as well, stripping
down to his undies on stage. THE HADDONFIELDS were next,
and opened their set with a punk tune ripping off the old
campaign folk song about getting Charlie off the MTA. They
played a fast, bass-heavy sort of pop-punk, though the bass-heavy
part may have been the poor sound at U-31. Back over to
the Office for one more band there for the afternoon, AMERICAN
LIES and their superb blend of emo, punk and pop.
The Unlovables
The rest of the afternoon was spent back over at U-31 with
the punk crowd, and next was the UNLOVEABLES, with great
pop-punk and a female lead vocalist who spent the whole
set down in the crowd, singing her heart out. MASKED INTRUDER
performed their shtick, wearing color coded ski masks and
matching Chuck Taylor All Stars. Are they burn victims?
Are they wanted fugitives? Are they embarrassed by what
they do? Whatever, they played some great tight pop-punk.
But they were special victims of the next band, the MAXIES.
Let’s face it, the Maxies suck big time. They’re
the worst band that keeps getting invited back every year
so everyone can make fun of them. They think we’re
laughing with them, but we’re all laughing at them.
They ought to be sent back to Greenland for crimes against
punk music and against the Voodoo Glow Skulls and their
deli trays! HA! All kidding aside, the Maxies play some
fun pop-punk, and insulting all the other bands is part
of their routine. They’re a great bunch of guys, but
I think there was something a little off today. I think
they were trying out some new songs they hadn’t played
very much, and maybe that’s why. Guys, a show is for
entertaining, rehearsal time is for trying new songs. The
final band of the afternoon was CHIXDIGGIT, which should
have been renamed Dudesdiggit, because there wasn’t
a chick in sight in the band. Let’s hear it for Chixdiggit!
They played some nice, tight, poppy anthemic punk that really
got the crowd going. Let’s hear it for the crowd!
Let’s hear it for pop-punk!
Beside Myself
Sunday Night September 2nd
Sunday night is always bittersweet at Awesomefest. There’s
always some more great music, of course, but it also means
the end of the weekend. There were some special treats in
store, too. I started Sunday evening at Eleven. I went there
specifically because the band there was starting 20 minutes
or so earlier than the sets over at Soda Bar, and also because
of the beer selection. I wanted to have some of the Stone
“Enjoy By” IPA that I had tried the night before
and immensely enjoyed. Imagine my delight, as well, that
BESIDE MYSELF was not playing anthemic sing-along pop-punk!
Instead, they were playing decent dark power-pop with lots
of modality (in other words, not quite major and not quite
minor keys). It made for an interesting listen. I then ran
over to Soda Bar for THE LAST YEARS. If you’re from
Chicago and you remember WNUR’s punk show, Fast and
Loud, that was this band! Well, I don’t mean they
played there, but they played fast and loud punk –
good, classic sounding stuff.
House Boat
HOUSE BOAT was up next, and they were a revelation –
great, tight, varied punk, and popular with the kids! There
was even a special appearance by Harry Jerkface on guitar
toward the end of the set, the first nice surprise of the
night. Iain Burgess may have defined the powerful wall of
buzzsaw guitar crunch sound of Chicago post-punk, but DUDES
NIGHT stole it for pop-punk! Great stuff! HORROR SQUAD followed
and poured out a pounding, throbbing mass of punk music.
Back over at Eleven, the other nice surprise of the night
was about to come on. WORTHWHILE WAY travelled all the way
from Japan to perform at Awesomefest! The served up some
wonderful, bubbly pop-pop-pop-punk, and offered another
nice surprise - some hand-made inspirational signs that
revealed drawings of some of the more colorful characters
at Awesomefest. Great, sweet moments! Back over the Soda
Bar to close out the night, I caught the tail end of RATIONAL
ANTHEM and enjoyed their well-executed, tight, fast pop-punk.
I wish I could have caught more. Such is life at Awesomefest.
You can’t really see everything (even though the organizers
try to claim you can – at best you can catch parts
of everything). My bestest band from last year were on next,
LIPSTICK HOMICIDE! No let-down here, they performed flawless,
energetic pop-punk, incredibly tight and precise. Catch
them whenever you can – they’re from Iowa and
tend to play around the Midwest more frequently than the
coasts. The closer of the night was TOYS THAT KILL. Yeah,
I know, former FYP, blah blah blah. But to me, this is just
somewhat edgy alt-rock/post-punk, mid-tempo stuff, sounding
even a bit watered down from what it could be. They’re
fine musicians and all, but what they play just doesn’t
do it for me.
Toys That Kill
So, there you have it. The weekend was over. And, though
there were some bands that I wasn’t really into, I
can honestly say there wasn’t a single bad band in
the bunch this year. And with 69 bands playing, that says
a lot! Wait, I almost forgot to tell you about the most
outrageous thing that happened at Awesomefest! See, there
was this van, and…well, we’ll leave that story
for another time. If you’re at all into punk, you
need to make your plans to get out to San Diego next year,
Labor Day weekend, for Awesomefest 7! Special thanks must
go out to the Gang of Seven, the tireless organizers of
this extravaganza, Kyle Pagel, Andrew Godfrey, Christina
Zamora, Marty Ploy, Todd, Taylor, Adam Ali, and Dave Quinn.
Thanks so much for all the hard work!
MORE PHOTOS
The Bertos
Bumklaat
Big Eyes
Turkish Techno
Nato Coles & the Blue Diamond Band
Lenguas Largas
Too Many Daves
Sass Dragon
Mean Jeans
Click here
for more Awesomefest 6 Photos
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