Dear Brian,
You did something this weekend that very rarely happens.
You made me embarrassed to be from New Jersey.
I’m talking about Gaslight Anthem’s set at Coachella,
which I watched on the live video feed. Here you are, at
the height of your career, the heir apparent to Bruce Springsteen
as the reigning embodiment of the Garden State’s music
scene, and you performed a set that was at best listless
and uninspired, and at worst simply awful.
Wes Woods of the Inland Newspapers syndicate wrote, "The
Gaslight Anthem performed a smooth set despite performing
under the sun at the main Coachella stage to an underwelmed
and more than likely tired festival audience on Sunday afternoon.”
He was being kind. The crowd looked bored because you were
boring.
Was it the 3 p.m. set time? Was it the sun? Was the crowd
smaller than you expected? Did you get a bad fish taco from
craft services?
Guess what? Don’t care.
There were thousands of people there watching you, and God
knows how many more tuning in via the video feed around
the world. Those people are your fans. They deserve an amazing,
mind-blowing set each and every time you set foot on a stage.
To do any less is to violate the convenant between performer
and audience.
And you didn’t deliver.
You don’t deliver a lot lately, guys. Even your set
at Bamboozle last summer seemed uninspired. You were much
better the year before at the Stone Pony Summerstage, when
Brian put down his guitar for a song or two and moved around
the stage a bit. At that point, you were still feeding off
your audience’s energy.
Now you just take it for granted… an unpardonable
sin for a rock band.
In 2009, back when Gaslight Anthem was still lean and hungry,
you performed at Coachella for the first time. The set included
songs from all your early records as well as snippets of
some inspired covers like “Stand By Me,” Tom
Waits’ “Downtown Train,” and Jimmy Ruffins’
“What Becomes of the Broken Hearted.” This year,
on a bigger stage and at a later set time, seven of the
13 songs in your set were from your new album (which isn’t
even that new anymore;) no covers, no new songs, nothing
that distinguished this set from a Tuesday night in Peoria.
Have you really become that jaded? I saw Gaslight Anthem
for the first time in a New Brunswick basement show. I remember
when you guys were thrilled to playing Maxwell’s for
the first time. Now you have a set at the biggest destination
music festival in the country and you just phone it in?
Shame on you.
If you can’t get excited about playing Coachella,
it’s possible you’re simply not excited about
being in a band anymore. So do us all a favor and go do
something else. There are ten thousand bands in this country
that can’t even imagine having an opportunity like
this. Yes, it was hot, and yes, it was the middle of the
afternoon; but just watch the sets by Cloud Nothings or
Toxic Airborne Event that took place at around the same
time as your Coachella set and you’ll see bands that
are having the time of their lives. Dylan Baldi nearly ripped
his throat out, he was singing so hard. The Toxic Airborne
Event danced and smiled and jumped around throughout their
entire set; they covered the Clash covering Sonny Curtis’
“I Fought The Law” and did a great job. You
barely moved. Honestly, you looked slightly annoyed at having
to be up that early.
Again, shame on you.
You have one more chance to get it right. Coachella gives
you a do-over; everybody plays again next week. We here
in New Jersey will be watching. Get your act together, dude.
Don’t let us down again.
I don't pretend to speak for your fans, or for the state
of New Jersey. I just speak for myself. But I couldn't be
more serious when I say that both your fans and New Jersey
deserve better from you.
Sincerely,
Jim Testa
Editor, Jersey Beat
You can watch the Gaslight Anthem’s 2013
Coachella set
here.
JerseyBeat.com
is an independently published music fanzine
covering punk, alternative, ska, techno and garage
music, focusing on New Jersey and the Tri-State
area. For the past 25 years, the Jersey Beat music
fanzine has been the authority on the latest upcoming
bands and a resource for all those interested in
rock and roll.
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