NOFX
- "Cokie The Clown"- 7-inch EP /CD-EP
(Fat Wreck Chords)
NOFX release a few tracks leftover from their
recent Coaster album, the 7-inch vinyl
version containing 3 songs - "Cokie the Clown",
"Codependence Day", and "Straight
Outta Massachusetts" - with the CD adding
two additional tracks, "Fermented and Flailing"
and "My Orphan Year {acoustic}". While
none of the tracks here are crucial, the title
track has Fat Mike's signature sense of humor
as well as his attitude of thumbing his nose at
the "Just Say No" crowd. Punk parents
out there may have caught an acoustic version
of "Straight Outta Massachusetts" on
the punky children's show "Pancake Mountain"
where Mike performs the song acoustically on a
bed with his cute daughter and a talking goat.
"Straight..", as well as "My Orphan
Year", mark a notable shift in Fat Mike's
writing style, both being autobiographical, honest
and personal, "My Orphan Year" painfully
so. Fans will want to pick this up regardless,
and vinyl collectors will rush to scoop up one
of the thousand copies made, 100 on white, 900
on green.
CLASSICS OF LOVE - "Walking In The Shadows"
EP (Asian Man Records)
Classics of Love is the new band featuring
Operation Ivy singer Jesse Michaels. After Op
Ivy's breakup Michaels spent some time in the
short-lived Big Rig, then went on to form a
band called Common Rider. Common Rider were
such a frankly gawdawful band that on the Plea
For Peace Tour in 2002, ALL of the members of
Michaels band confided in me how much they loathed
the music they were playing. Classics Of Love
fares a little better, some of the songs have
hooks, and all of the six songs here are heavily
influenced by jangly Sixties garage rock. Lyrics
go from pandering to young people from an old
man's perspective ("No Return") to
just plain nonsense: "What's beyond the
shroud -more than heaven or hell could allow/
Something I could live for - Countdown! / What's
beyond the paces, and the bored contemptful
faces? / Something I could live for -Countdown!"
(It should be noted here that "contemptful"
is not even a word, really; look it up.)
Now some twenty years on since Operation Ivy
and three almost ignored bands later, it should
be obvious that Michaels is never going to contribute
music as captivating as the band that made him
rich. I am sure that like any musician, with
each album, each new band, Michaels really feels
like he has a gift for the world, but a listen
to any of his music has ears begging to return
said gift. – Johnny Puke
HOT
WATER MUSIC - No Division" CD Re-issue
(No Idea Records)
At last, a re-issue of "No Division",
the masterwork among the band's six full-lengths
to date as well as on of the most important
post-hardcore releases of all time. Originally
released in 1999 on Some Records, No Idea has
reissued this faithfully, nothing added or changed,
and even the original lyric booklet is re-printed
exactly(although my copy had the pages stapled
together in the wrong order). Produced by Walter
Schreifels (Gorilla Biscuits, Quicksand), No
Division marks the bridge between HWM’s
rough-and-tumble early albums on No Idea to
the more polished and melodic releases of their
later career on Epitaph. It was during the writing
and recording of No Division that co-vocalists
Chuck Ragan and Chris Wollard finally honed
their coarse vocalizations to a brand of glorious
anti-melody that would become a trademark of
Hot Water Music, as well as a touchstone for
the many bands to follow influenced by them.
Schreifels’ production work here also
accents the shine of Wollard and Ragan's shimmering
dual guitars and brings a much needed clarity
to the music.
No Division also took the band’s songwriting
to the next level, with each of the 11 tracks
here showcasing concise, thoughtful, and downright
inspiring lyrics. From "Southeast First,"
the band's paean to the legendary Gainesville
venue The Hardback Cafe and the scene it helped
foster, to "It's Hard To Know", a
song of hope and self-reliance that Wollard
penned for his young son Gary, the songs here
provide the bedrock for the legendary status
of this seminal band.
Thank you, No Idea for keeping this vital document
available and thank you Hot Water Music for
all your music, good vibes, and inspiration.
– Johnny Puke
NOFX
- Coaster (Fat Wreck Chords)
Another fine release from these stalwarts celebrating
their 25th anniversary, and continuing to provide
a perfect example of how you can be DIY and
successful at the same time (NOFX put out their
own records, book their own shows, and control
every aspect of their career like press and
radio themselves). One of the real gems on this
new album is a song Fat Mike writes about the
death of his parents in 2006; never before have
we seen such raw soul-searching and lyrical
honesty from smug fucker Fat Mike than on "My
Orphan Year". One criticism here is that
Mike does seem in a rut lyrically; "Best
God In Show" and "Blasphemy (The Victimless
Crime)" are his usual windmills against
religion, and after several releases focusing
on the same topic, intolerance of anything (even
an easy target like religion) just becomes intolerance.
Songs like "First Call" and "Creeping
Out Sara" show Mike's usual clever sense
of humor, but "Eddie, Bruce, and Paul"
about IRON MAIDEN of all things leaves one scratching
his head over how that made the cut. Whatever
chinks their may be in the armor here, it is
still a great NOFX record and the first two
songs, "We Called It America" and
"The Quitter," have the redemptive
old school NOFX thunder that we still love them
for.
CHRIS
WOLLARD AND THE SHIP THIEVES (No Idea)
Chris Wollard has been in lots of side project
bands (THE CROWS, THE BLACKTOP CADENCE) aside
from the two bands he is best known for (HOT
WATER MUSIC and THE DRAFT), but CHRIS WOLLARD
AND THE SHIP THIEVES is his first real solo
project, and far from his best work. An uneven
collection of songs, from the lyrically and
musically disposable "Up To The Moon"
all the way to the album's best cut "No
Exception," which itself has a little too
much Westerberg and not enough Wollard. Production
decisions don't help the record either as a
perfectly serviceable "In The Middle Of
The Sea" gets a backing vocal that transforms
the cut into an EVERLAST out-take. Make no doubt
about it, Wollard is a defining voice of our
generation and has a legacy to back that up.
But this first foray into solo project land
needed a direction and comes off ham-handed.
IN
THE RED - Volume 2 (Suburban Home)
Mike Hale, former leader of the Gainesville
band GUNMOLL, began IN THE RED after a move
to California and meeting Matt Glasgow, the
world's tallest drummer (really, look it up!).
After a couple of releases and bass players,
the band has released a breakthrough record
and it’s far from the band's more aggressive
Gunmoll-esque early material. Using all sorts
of guitar and studio tricks, all of these tracks
pack a powerful punch, and the doubling of Hale's
vocals give some of the songs a NIRVANA-like
quality. Hale's lyrics are almost overwhelming
in their depictions of loss and loneliness;
song titles like "I Want A New Life"
and "Alone Is Still A Sound" tell
the whole story. While still qualifying for
what I would call "Gainesville Punk",
this record moves the band into a whole new
world, with more mid tempos and subtlety. Awesome.
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