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Jersey Beat Music Fanzine - Celebrating 25 Years of Rock and Roll!

 

JOHNNY PUKE SAYS SO:
Reviews by Johnny Puke

NOFX - "Cokie The Clown"- 7-inch EP /CD-EP (Fat Wreck Chords)

NOFX release a few tracks leftover from their recent Coaster album, the 7-inch vinyl version containing 3 songs - "Cokie the Clown", "Codependence Day", and "Straight Outta Massachusetts" - with the CD adding two additional tracks, "Fermented and Flailing" and "My Orphan Year {acoustic}". While none of the tracks here are crucial, the title track has Fat Mike's signature sense of humor as well as his attitude of thumbing his nose at the "Just Say No" crowd. Punk parents out there may have caught an acoustic version of "Straight Outta Massachusetts" on the punky children's show "Pancake Mountain" where Mike performs the song acoustically on a bed with his cute daughter and a talking goat. "Straight..", as well as "My Orphan Year", mark a notable shift in Fat Mike's writing style, both being autobiographical, honest and personal, "My Orphan Year" painfully so. Fans will want to pick this up regardless, and vinyl collectors will rush to scoop up one of the thousand copies made, 100 on white, 900 on green.


CLASSICS OF LOVE - "Walking In The Shadows" EP (Asian Man Records)

Classics of Love is the new band featuring Operation Ivy singer Jesse Michaels. After Op Ivy's breakup Michaels spent some time in the short-lived Big Rig, then went on to form a band called Common Rider. Common Rider were such a frankly gawdawful band that on the Plea For Peace Tour in 2002, ALL of the members of Michaels band confided in me how much they loathed the music they were playing. Classics Of Love fares a little better, some of the songs have hooks, and all of the six songs here are heavily influenced by jangly Sixties garage rock. Lyrics go from pandering to young people from an old man's perspective ("No Return") to just plain nonsense: "What's beyond the shroud -more than heaven or hell could allow/ Something I could live for - Countdown! / What's beyond the paces, and the bored contemptful faces? / Something I could live for -Countdown!" (It should be noted here that "contemptful" is not even a word, really; look it up.)

Now some twenty years on since Operation Ivy and three almost ignored bands later, it should be obvious that Michaels is never going to contribute music as captivating as the band that made him rich. I am sure that like any musician, with each album, each new band, Michaels really feels like he has a gift for the world, but a listen to any of his music has ears begging to return said gift. – Johnny Puke

HOT WATER MUSIC - No Division" CD Re-issue (No Idea Records)

At last, a re-issue of "No Division", the masterwork among the band's six full-lengths to date as well as on of the most important post-hardcore releases of all time. Originally released in 1999 on Some Records, No Idea has reissued this faithfully, nothing added or changed, and even the original lyric booklet is re-printed exactly(although my copy had the pages stapled together in the wrong order). Produced by Walter Schreifels (Gorilla Biscuits, Quicksand), No Division marks the bridge between HWM’s rough-and-tumble early albums on No Idea to the more polished and melodic releases of their later career on Epitaph. It was during the writing and recording of No Division that co-vocalists Chuck Ragan and Chris Wollard finally honed their coarse vocalizations to a brand of glorious anti-melody that would become a trademark of Hot Water Music, as well as a touchstone for the many bands to follow influenced by them. Schreifels’ production work here also accents the shine of Wollard and Ragan's shimmering dual guitars and brings a much needed clarity to the music.

No Division also took the band’s songwriting to the next level, with each of the 11 tracks here showcasing concise, thoughtful, and downright inspiring lyrics. From "Southeast First," the band's paean to the legendary Gainesville venue The Hardback Cafe and the scene it helped foster, to "It's Hard To Know", a song of hope and self-reliance that Wollard penned for his young son Gary, the songs here provide the bedrock for the legendary status of this seminal band.

Thank you, No Idea for keeping this vital document available and thank you Hot Water Music for all your music, good vibes, and inspiration. – Johnny Puke



NOFX - Coaster (Fat Wreck Chords)

Another fine release from these stalwarts celebrating their 25th anniversary, and continuing to provide a perfect example of how you can be DIY and successful at the same time (NOFX put out their own records, book their own shows, and control every aspect of their career like press and radio themselves). One of the real gems on this new album is a song Fat Mike writes about the death of his parents in 2006; never before have we seen such raw soul-searching and lyrical honesty from smug fucker Fat Mike than on "My Orphan Year". One criticism here is that Mike does seem in a rut lyrically; "Best God In Show" and "Blasphemy (The Victimless Crime)" are his usual windmills against religion, and after several releases focusing on the same topic, intolerance of anything (even an easy target like religion) just becomes intolerance. Songs like "First Call" and "Creeping Out Sara" show Mike's usual clever sense of humor, but "Eddie, Bruce, and Paul" about IRON MAIDEN of all things leaves one scratching his head over how that made the cut. Whatever chinks their may be in the armor here, it is still a great NOFX record and the first two songs, "We Called It America" and "The Quitter," have the redemptive old school NOFX thunder that we still love them for.

CHRIS WOLLARD AND THE SHIP THIEVES (No Idea)

Chris Wollard has been in lots of side project bands (THE CROWS, THE BLACKTOP CADENCE) aside from the two bands he is best known for (HOT WATER MUSIC and THE DRAFT), but CHRIS WOLLARD AND THE SHIP THIEVES is his first real solo project, and far from his best work. An uneven collection of songs, from the lyrically and musically disposable "Up To The Moon" all the way to the album's best cut "No Exception," which itself has a little too much Westerberg and not enough Wollard. Production decisions don't help the record either as a perfectly serviceable "In The Middle Of The Sea" gets a backing vocal that transforms the cut into an EVERLAST out-take. Make no doubt about it, Wollard is a defining voice of our generation and has a legacy to back that up. But this first foray into solo project land needed a direction and comes off ham-handed.

IN THE RED - Volume 2 (Suburban Home)

Mike Hale, former leader of the Gainesville band GUNMOLL, began IN THE RED after a move to California and meeting Matt Glasgow, the world's tallest drummer (really, look it up!). After a couple of releases and bass players, the band has released a breakthrough record and it’s far from the band's more aggressive Gunmoll-esque early material. Using all sorts of guitar and studio tricks, all of these tracks pack a powerful punch, and the doubling of Hale's vocals give some of the songs a NIRVANA-like quality. Hale's lyrics are almost overwhelming in their depictions of loss and loneliness; song titles like "I Want A New Life" and "Alone Is Still A Sound" tell the whole story. While still qualifying for what I would call "Gainesville Punk", this record moves the band into a whole new world, with more mid tempos and subtlety. Awesome.


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