BAD RELIGION – True North (www.epitaph.com)
A POWERFUL RETURN TO PAST GLORIES
By Deborah Draisin
BR
was looking to go back to their roots this album. Brett
Gurewitz apparently stated to Fletcher Dragge that Pennywise’s
2012 release All or Nothing inspired him to write
“a sequel to No Control,” and indeed
True North captures the brevity and intensity of their 1989
classic, but with all the focus and improved songwriting
of their later works. All the archetypes of a good Bad Religion
album (the oozin’ ah’s, Greg’s typical
straight out of his lecture lyrics, and Brett’s 16
bar down to basics soloing) are in full effect here, but
with a few new tricks.
Lyrically, the album hints at the disillusionment which
comes with age-weariness, with lines like “The world's
not my responsibility and happiness isn't there for me.”
(True North) and “A measure of success is how well
to forget and the past is dead.” (The Past Is Dead.)
Nonetheless, the biting humor remains with song titles such
as Fuck You and Dharma and the Bomb.
Graffin and Gurewitz have always traded poetry and you
can see the two influences at work here as well. Graffin’s
introspective vocabulary laden sarcasm and Gurewitz’
political scorn are peppered throughout: “I can penetrate
your religion with a nail.” – Hello Cruel World
and “When the wheel of fortune turns progressively
depraved, it's the manifestation of a biospheric decay.”
– Crisis Time
For my money, the most beautiful lyrical accomplishment
by far is False Hope: “It crackled on the radio through
bright plumes of the sun the announcer said the age of faith
was dead” although Nothing to Dismay would be my pick
for best overall single with its incredible lyrical construct
and undeniably knee-tapping rhythm. Then again, Popular
Consensus has a bit of a retro feel for me; I appreciated
that direction, while My Head is Full of Ghosts encapsulates
everything that makes BR BR.
This is an extremely solid album. An absolute must not
only for BR fans, punk fans, but rock fans in general. Very,
very, very well done.
Despite the typical deadpan humor we’ve come to expect
from Graffin hinting at a retirement plan involving naval
work, True North was definitely worth the wait, and I cannot
wait to see it live.
UNMISTAKABLE,
BUT ALL TOO FAMILIAR
By Paul Silver
The more things change, the more they stay the same, as
the saying goes. And Bad Religion is not immune from this
truism. Listening to True North, no one could mistake
this for anyone but Bad Religion. Their sound is unmistakable,
and hasn’t varied much in some 30+ years of their
existence. They still play the same fast punk music, still
have the same harmonized vocals, still use a lot of $5 words
and inject plenty of social commentary into their songs.
One song that, while still a recognizable BR song, is a
little different from the rest, is the garage-surfy track,
“Dharma and the Bomb.” “Hello Cruel World”
is a little different, too, being the closest thing you’ll
ever get to a ballad from these guys. “Vanity”
is the fastest, shortest song on the album, clocking in
at a mere 1:02, harkening back the most to BR of the earliest
days. On the plus side, BR have spent many years honing
their skills, and skilled they are. The music is tight and
concise; the song writing is top notch. If you’re
a fan or if you’re new to the band, definitely buy
this ASAP. On the minus side, though, it really is more
of the same. The band experienced a great growth in their
sound in their early years, as most great bands do. But
then they seem to have gotten stuck in a single sound back
in the 80s. BR are trying to carefully walk the line between
a defined sound and stagnation. It’s up to you to
decide which side of the line they’re on.
A
TREASURE FROM ONE OF PUNK'S MASTERS
by Rich Quinlan
The first aspect of True North that jumps out at
the listener is how, after sixteen records, Bad Religion
is able to produce a new album with sixteen quality songs
on it. This type of proliferation is staggering, but all
the more impressive is the youthful energy with which every
song is delivered. This record is a return to a more “classical”
style of Bad Religion - the playing is passionate and relentless,
with the band’s trademark intelligence. The political
acumen is evident throughout the record, but “Land
of Endless Greed” and “Political Consensus”
are among the more perceptive found here. The latter plays
with language in a manner reminiscent of both the Bush and
Obama administrations, mirroring the frustration of so many
Americans who no longer see leaders who engage in public
service as a noble calling but rather as a means to serve
their own self-congratulatory ends. The thematic image of
“true north”, the idea of looking for truth
and reason is a powerful one for the times in which we live,
and even the speed and blunt impact of the songs encapsulates
what has become an America in which the pace of life is
faster and the realities are darker. “Fuck You”
is obviously the great sing along anthem of the album, but
it is not impractical, adolescent rage channeled through
men in their forties; instead it summarizes a sense of loss
and utter frustration. When there is nothing left, all one
can say is “fuck you”… and Greg Graffin
is the perfect man to deliver this sentiment. For those
of us old enough to appreciate the significance of Bad Religion,
True North is a treasure - a lightning fast, pure
punk record that snarls and spits like an animal half its
age. “Vanity” may only barely crawl past the
one minute mark but leaves a bruise that will be with you
for days, while “Dept. of False Hope” and “Nothing
to Dismay” feature soaring guitar work and pointed
lyrics. Perhaps the biggest surprise is the rugged, heavy
“Dharma and the Bomb”, a swaggering fist fight
set to music with rousing backing vocals behind Brett Gurewitz;
for the first time in this band’s illustrious career,
Brett steps to the front and the experiment works flawlessly.
For all the kids who are just figuring out their first chords,
put down whatever band is currently eliciting the biggest
trend on twitter, put this on, and learn from the masters.
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